Vijaya Sundaram

Poet, Musician, Teacher, and Amateur Visual Artist

Immortality, OR: Art Causes Pain And Pleasure

Immortality, OR:  Art Causes Pain and Pleasure

©October 16th, 2015

By Vijaya Sundaram

It’s You of whom (sometimes) I think when I

See people work at art or song or verse

While making beauty with their minds, traverse

The lands invisible that touch the sky.

 

Your shadows lurk so menacingly stark

For ’tis a place of light and shade, this land

Where dreamers, poets, artists, singers band;

In vain, we seek our songs in brooding dark

 

We seek You, Immortality, and roam,

Our paintbrush, flute, guitar or pen in hand

And (vagabonds so far away from home),

We spread across these vast, uncharted lands

And hacking ‘cross the tangled brush, we come*

To You, whom now, at last, we understand.

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*Okay, so I took some liberty with the rhyme there, don’t razz me!

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Our Day 10 (FINAL DAY!)’s prompt was: Write a Sonnet, about pleasure, using Apostrophe as your device.

Our esteemed host and Muse @benhuberman had this parting gem:

If you happen to be one of those who find sonnets easy, have no fear — you can still challenge yourself further. How about going for a crown of sonnets? Or branching out to the sestina, another structurally difficult form?

I’ll have my readers know that this sonnet (my first, my first!), which took me TWO FULL hours exactly, I used a Petrachan sonnet form, with a couple of exceptions.  So, instead of abba, abba, cd, cd, cd rhyme scheme, I used an abba, cddc, ed, ed, ed rhyme scheme.  I also tried, desperately, to use iambic pentameter, reading it aloud to myself as it went, tweaking a word here, or rearranging some words there.

Note:  There is another Petrarchan form is abba, abba, cde, cde, which I did not even want to attempt.

(Now, I shall go and lick my wounds, and sorrow over my terrible poem!)

Hats off to those who can do a “Crown” of Sonnets, and Sestinas, to boot!  (I’m thinking of you, Melinda Kucsera!)

Anyway, I’m done.

And no, I’m NOT going to attempt a Sestina today.  Too much else going on in my life, and writing a meaningful Sestina will take up more time, no doubt.

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Patron Saint

In response to The Daily Post’s writing prompt: “A True Saint.”

Patron Saint

©October16th, 2015

By Vijaya Sundaram

I am a saint.  Look at me!

See that halo around my head?

You don’t?

Hang on, I’ll adjust it.

No, it’s not there!

Where did I put it?

Yikes!  Here it is,

Shivering in the refrigerator,

Along with sagging beans

Bought at the Farmer’s Market

Bursting at the seams of their pods

While I burst with good intentions.

No, wait for me, Halo!

It’s gone — vanished in a trice.

Ah, here it is,

Lurking in the Blue Room,

Piled high with boxes brought

Home by me three months ago,

And dumped willy-nilly from my

Teacher-life of seventeen years.

(I’ll sort through them, I shall!)

Wait!  Vanished again!

Look!  Here it is, hiding under

Beautiful tulip bulbs, in their paper bag,

Clutching forlornly at

Their Spring promise of life

Muting their hysterical cry of color,

Waiting for me.

My halo trembles there,

Beckoning timidly at me

With halo-ey fingers.

I reach for it, but no, it

Vanishes again.

Ah!  Foiled once more!

I am ashamed, truly.

I know this, though:

When I go soil-wards,

Spade in hand,

Bulbs in bag, it’ll reappear.

When I go room-wards,

Roll up my sleeves,

Sort, rearrange, dump

Discard, put away,

It’ll reappear.

When I chop up those beans

And parboil them,

And freeze them,

Oh, so prosaically,

While putting poetry aside,

(Just for the nonce),

It’ll reappear.

And then, I’ll grab it,

Stick it behind my head,

Where it’ll shine

Proud and assured.

I’ll point at it,

(In case you didn’t see it)

Dance a little dance,

And sing (humbly, you understand):

I am the Patron Saint

Of Good Intentions!

See me shine

Brilliant and beatific.

Come, I shall bless you.

Come, join my canon!

Together, we shall

Create more Good Intentions,

On our merry way to Hell.

But first, there’s work to do!

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Sorry folks! (No poems today – but here are some famous sonnets to soothe you)

No poem from me tonight — But there’ll be a sonnet from me tomorrow.  Meanwhile here are some sonnets to keep you company and gladden you as you go about your possibly sad and forlorn day, which might, perhaps, be stripped of poetry (I’m just being facetious — I know all your lives and days are filled to the brim with poetry!  🙂 ).

This first one is by William Wordsworth, and is one of my favorites.  I have often felt like Wordsworth did, but he lived in the early 19th century, so life should have been less frantic — just goes to show that the times, they aren’t a-changin’– they’ve always been bad:

The World is Too Much With Us

By William Wordsworth

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
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I love how Mr. Wordsworth’s wants to go back to the times of the Greeks, when the gods were marvellous, mysterious, all-powerful, and all about nature.
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Here’s one by that singularly wonderful sonneteer, Will Shakespeare:
Sonnet 18:
Shall I Compare Thee to a Summer’s Day?
by William Shakespeare
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimm’d;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee
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I’ve always enjoyed these lines: 
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;
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Those are such beautiful and hopeful lines at the end!  Such a testament to the power of poetry and art, which confer immortality (although even these fade or fall with time, as we’ll see in the sonnet below, namely:
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Ozymandias
by Percy Bysshe Shelley:
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
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And thus, all the works of men and women come crumbling to dust.  A cheering and cheerful thought, no?
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And, finally, this oft-quoted little jewel of a sonnet:
How do I Love Thee?
Sonnet Number 43
Elizabeth Barrett Browning
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right;
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
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I love how she says these lines below — nicely made parallels and anaphoras.  And those expected similes are so perfectly expressed:

I love thee freely, as men strive for right;
I love thee purely, as they turn from praise.
And the idea of immortality shows up again, with the sense that this time, it will not be an ephemeral sort of immortality through art, but a permanent one, through love.
I do not feel cynical here, even though that part of me might want to rear its contrary, twisty head.  I’m willing to go with Ms. Barrett Browning’s vision here.
For, as we all like to believe, Love conquers Death.
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