Vijaya Sundaram

Poet, Musician, Teacher, and Amateur Visual Artist

Almost the Day of Reckoning – An Atheist’s Allegory

Almost the Day of Reckoning – An Atheist’s Allegory
©February 13th, 2013
By Vijaya Sundaram

There was a hush.

It settled over the land, a vagueness that brought a disquieting sense of menace.  A message emerged from the hush, cloaked in scarlet, masked in secrecy, outlined in ice.

The birds carried the message to creatures across  the land.  The trees leaned closer to listen, and dropped the message into their acorns.

The squirrels which picked up the acorns held them to their little furry ears and listened with alarm widening their eyes, and making their breath whistle in their tiny nostrils.  They dropped the acorns and ran.

The message burst out of the acorns, and blossomed into a cloud of pestilence, which bore these unmistakable words in  every known human language:  Death is coming to the land. Make haste and flee.  You will not escape it, but you can buy time.

Those who heard the message made haste and fled.
They rode in silver ships into the depths of the galaxy.
They dived in silver ships into the deepest abysses of the oceans.
They dug their way deep into burrows and build colonies, and lived hidden from view.

A few put on their best raiment, wrote songs and stories and poems, planted seeds in the ground, planted trees,  and waited with open eyes and unafraid hearts.

Death came, soon enough.

Arrayed in the  blackest night with nary a star to show the way, she stood, tall and terrible, and her smoky voice filled the air.

I have come, she said, for I have a mission to fulfill.  I see that the others have gone.  I shall find them soon enough.  But why and wherefore did you stay?  I do not spare souls.  It is time for all humans to be wiped out.  You are the pestilence.  You have bled the earth, and choked the air with your noxious vapors and made the mountains tremble with the sounds of war.  Why are you still here?  Why did you not buy some time, and flee from me?

A silence fell like soft fog.

Then, the oldest stepped forward. Ancient wrinkles creased her face, and her smile shone like the moon through the clouds, for though she was afraid, she was prepared.  Her heart was blameless, and she had borne the burden of her days with calm stoicism. With hair like spun silver, and a voice like the sighing of the trees, she spoke:

You may take us, but our songs fill the air.  The birds have learned them.  Our plants are growing to the rhythm of our work and our songs.  Our trees are breathing in the breath we weave into these notes.  The earth is calming herself.  For you see, we read a message within your message that blossomed scarlet and terrible from the acorns.  So, while the others fled, we knew we had a sliver of time in which we could leave behind something beyond our horrible deeds.  So, take us now.  We are not afraid.  But mind, without our songs and our working hands, the earth will forget herself and the beauty she wrought when she made us.

The earth regrets you!  spake Death, her voice shivering the air into ice, making it tremble.  She blames herself.  She rues the day that you were made.  I am her sole hope.  I will have to slay you all.

We are not afraid, murmured the assembled people, although their hearts were frozen with fear.

Death was quiet for a moment, then spoke again:

You have broken the fundamental laws of nature.  You have bled the rocks and smashed the atom for gain.  You have burned your plastics and trashed the oceans.  You have not been good stewards of the land.  You have left nothing for the generations to follow.  The daughters of your daughters of your daughters unto the seventh generation will inherit a land that is dessicated and stunted.  The sons of your sons of your,  sons unto the seventh generation will breathe (if they can still breathe) noxious vapors, and their DNA will shift and re-form into that which deforms humankind.  The birds will bear their kind with two heads, and the beasts of the field will bloat and bear monstrosities.  I shall have to slay you all.

We are not afraid, murmured the assembled people, although their souls swelled with terror.

Death looked at them, admiring the puny humans assembled, humble and unafraid of her might.

And she spake yet again, for though she was terrible, yet was she merciful.  If I let you stay a little longer, and come for you not all at once, but in stages, (for I have to come), will you restore this earth, who is my sister and your mother? she asked, and this time, her voice was the merest whisper, gentler, kinder, so that the people ceased to quake and tremble within.  Will you sing her songs?  Will you turn those swords into plough-shares, and those guns into instruments that make music?  Will you treat the animals of the land and sea,  and the birds of the air, and the fish of the sea as your brethren and your sisters? And Death paused, for she had surprised herself, and wondered at herself.

And the youngest stepped forward.  Her hair stood stiffly around her head like a halo, and her eyes were stars.  Her skin shone like copper, and her smile was radiant like the sun.  Her voice was like a bell of purest silver, and her heart was the heart of a lioness.

We shall, she said.  You must keep your promise, dear Death.  Do not strike us down in haste.  For we shall welcome you when you come in good time.  We shall not resist, as we do not resist now.

Death spake again, and she said, This shall I do for my sister, your mother, the Earth.  And this I do also, for you, unto you, that you may live and bear your children, and bring peace unto this earth.

The people murmured among themselves, and started to chant the song of peace.  And the chant swelled into a chorus that flew on the wings of birds and wafted on the waves of the seas.

And silence spread her wings and carried that song to the far reaches of the earth.

Seeing this, Death took her leave and went to find the others, for she still had a mission to fulfill, although her heart was not in it.  Yet, for all that, she was happy.

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Note: This was, at the time, an unconscious tip of the hat to Oscar Wilde’s style of writing new parables in the style of Biblical parables.  So, this is a cousin once removed (or something) in terms of style.